Dale Keaveny

VIDEOGAME SOUNDTRACKS

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BROWSER GAME - 2023

Try to convince the AI judge of your fate in a futuristic small claims court.

HOT-HOUSE

VR ESCAPE ROOM - TBA

A young mafia don is trapped in a luxurious apartment and must confront his shadowy past to escape.

VR MULTIPLAYER SOCIAL GAME - 2023

8 other players must interact with an AI detective in order to ascertain the truth of who committed a dastardly crime!

 

Meta Quest 2/PCVR

The Clone Wars mod for Contractors VR brings gameplay from popular Star Wars games into the popular virtual reality shooter.

UNSTEADY VR

Meta QUEST 2/PCVR - TBA

A unique blend of rock climbing and jenga in VR! Complete thrilling brain teasers in a variety of locales using your hands and wits.

PC - TBA

Use gum-related gadgets to subdue criminals, swing and glide around a city of the future!

 
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MUSIC PRODUCTION

 
 

Acheron - 2022

In 2022 I decided to release a compilation of my own works on Spotify, familiarising myself with the area of post-production and release. Acheron features a diverse mix of cinematic orchestral and electronic tracks, composed, mixed and mastered using Logic Pro X and released via Distrokid.

Charlie Don’t Surf - 2018

I collaborated with Wollongong punk band “Breakwall” to master their album Charlie Don’t Surf in 2018. Fine tuning the chaotic blend of aggressive percussion, guitar and vocals was a fantastic learning experience made even more memorable by the talented musicians behind it.

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ORCHESTRATION

After studying at the Sydney Conservatorium of Music for nine years, earning a Master’s degree in Music Composition, I’ve had the privilege of composing and arranging music for various orchestral ensembles with numerous talented musicians. Below are some notable examples of my work for these ensembles.

 

 

THE FERRYMAN - 2017

The performance of The Ferryman - 2017

 

‘The Ferryman’ was written for the University of Sydney Wind Band, directed by conductor Steven Capaldo. The incredible orchestra over over a hundred students played my composition for the Vivid Festival ‘Heroes and Villains’ concert held at the Sydney Verbrugghen Hall in 2017.

 
The Ferryman
Dale Keaveny
 
 

The Final Fire - 2016

The Final Fire was written for a small string orchestra, oboe and two pianos, workshopped over the course of three months with a talented group of Conservatorium musicians. The piece was performed for the CPW Concert held at the Sydney Verbrugghen hall in 2016.

The performance of the The Final Fire - 2016

 
The Final Fire
Dale Keaveny
 

The Night Riders - 2014

A performance of The Night Riders - 2019

The Night Riders was initially written for a string trio and was eventually developed into a piece for string quartet, workshopped as a part of my composition classes at the Conservatorium. The first performance, was held in 2014 at the Sydney Con’s East Recital hall.

The Night Riders
Dale Keaveny
 
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JUDGE GPT


Justice Alpha

Justice Alpha
Dale Keaveny

This is the first looping track to be played under the core gameplay for Judge GPT.


Justice Beta

Justice Beta
Dale Keaveny

This is the second looping track to be played under the core gameplay for Judge GPT.


Justice Gamma

 
Justice Gamma
Dale Keaveny

This is the third looping track to be played under the core gameplay for Judge GPT.

 

 

Judge Delta

Justice Delta
Dale Keaveny
 

This is the fourth looping track to be played under the core gameplay for Judge GPT.

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HOTHOUSE


Ambience

Hothouse Ambience
Dale Keaveny/Zach Sutton

This track loops underneath the core gameplay, emphasising ‘memory’ as a motif. The chords and vocal material featuring in the track are based on “Born From Ash” by Zach Sutton, which serves as the end credits song for the game.


Cutscene 1

Cutscene 1
Dale Keaveny

This is the low-intensity variant loop to be played under the first cutscene for the game.


Cutscene 2

 
Cutscene 2
Dale Keaveny

This is the medium-intensity variant loop to be played under the second cutscene for the game.

 

 

Cutscene 3

Cutscene 3
Dale Keaveny
 

This is the high-intensity variant loop to be played under the third cutscene for the game.

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DETECTIVE GPT


Detective GPT - Main Theme

Detective GPT - Main Theme
Dale Keaveny

This track serves as the main theme for the game, heard during the appearance of the detective in DGPT directly after a murder has occurred.


Pre-Murder Loop

Pre-Murder Loop
Dale Keaveny

This track plays while players are exploring the initial environment and haven’t killed each other yet.


Investigation

 
Investigation
Dale Keaveny

This theme plays as the investigation takes place after a player has been murdered.

 

 

Deliberation

Deliberation
Dale Keaveny
 
 

This track plays while players deliberate as to who committed the murder after the investigation is complete.


Victory

Investigation Victory
Dale Keaveny

This track plays for players who are successful at avoiding detection or accusing the right player of murder.


Failure

 
Investigation Failure
Dale Keaveny

This track plays for players who fail at avoiding detection or accusing the right player of murder.

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CONTRACTOR$ CLONE WARS


Kamino Arena

Kamino Arena
Dale Keaveny

This track was written for the map “Kamino Arena A17” by Dudebro. The track is based on “Vode An” by Jesse Harlin, written for Star Wars Republic Commando.


Kashyyk Escape

Kashyyk Escape
Dale Keaveny

This track was written for the map “Kashyyk Gardens” by Dudebro. The track is based on “Vode An” by Jesse Harlin, written for Star Wars Republic Commando.


Prosecution

 
Prosecution
Dale Keaveny

This track was written for the map “Prosecutor Hangars” by Dudebro. The track is based on “Vode An” by Jesse Harlin, written for Star Wars Republic Commando.

 

 

Sev’s Sacrifice

Sev's Sacrifice
Dale Keaveny
 
 

This track was written for the map “Kamino Arena G9” by Dudebro. The track is based on “Vode An” by Jesse Harlin and “Qui-Gon’s Noble Sacrifice” by John Williams written for Star Wars Republic Commando and Star Wars Episode 1.


Forward March

Forward March
Dale Keaveny

This track was written for the remaster of the map “Prosecutor Hangars” by Dudebro. The track is based on “Vode An” by Jesse Harlin and “The Battle of Naboo” by John Williams written for Star Wars Republic Commando and Star Wars Episode 1.

 
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UNSTEADY VR


Unsteady - Main Theme

Unsteady - Main Theme
Dale Keaveny

This track plays over the main menu and the first level of the game.

 

 

Water World

Water World
Dale Keaveny

This track plays over the second level of the game featuring an upside down jenga block under a pier.

 

 

Volcano World

 
Volcano World
Dale Keaveny

This track plays over the third level of the game, set in an erupting volcano.

 
 

 

Sky World

Sky World
Dale Keaveny
 
 

This track plays over the fourth level of the game, set above the clouds.

 

 

Casino World

Casino World
Dale Keaveny

This track plays over the fifth level of the game, set on a blackjack table.

 

 

Factory World

 
Factory World
Dale Keaveny

This track plays over the sixth level of the game, set on a conveyor belt in a factory.

 

 

Moon World

 
Moon World
Dale Keaveny

This track plays over the seventh level of the game, set on the moon.

 

UFO


 
UFO
Dale Keaveny

This track plays over the final level of the game, a boss ‘battle’ against a UFO.

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THE UNBREAKABLE GUMBALL


Gumball - Main Theme

Gumball - Main Theme
Dale Keaveny

This is the main theme for the protagonist of the game and plays over the main menu.


Overworld

Overworld
Dale Keaveny

This track plays as the player swings using ‘gumlines’ the primary locomotion system for the game.


Race 1

 
Race 1
Dale Keaveny

This track plays over one of the many races found in the game.

 

 

Race 2

Race 2
Dale Keaveny
 
 

This track plays over one of the many races found in the game.


Race 3

Race 3
Dale Keaveny

This track plays for players who are successful at avoiding detection or accusing the right player of murder.


Ambience

 
Ambience
Dale Keaveny

This is one of the ambient tracks that plays as the player walks the streets of the open world.

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